tangent

Chapter 3 - The Public Exposure

By Monday morning, Evan had realized that hiding in his office wasn't going to fix things. He tried calling me twelve times before 8:00 a.m. I didn't block his number immediately; instead, I set his ringtone to a silent track and let every single call go straight to voicemail, where his panicked, breathless voice messages piled up like digital debris.

*“Maya, please, you’re not answering my calls. We need to talk. It wasn't what it looked like—she had nowhere else to go, and I panicked—”*

*“Maya, my firm's managing partner got an email this morning about an 'ethical compliance review' regarding joint account expenditures. Did you do something? Please tell me you didn’t involve work—”*

*“Maya, answer the phone. This is getting out of hand.”*

I finished buttoning my silk blouse, picked up my briefcase, and walked out the door of my pristine, peaceful, Lauren-free condo.

When I arrived at the office in River North, the atmosphere was charged with the usual frantic energy of a design studio preparing for a major hospitality pitch. My team—three junior designers and a project manager named Chloe—were huddled around a large table covered in brass finishes, LED strip samples, and architectural blueprints for a boutique hotel chain in Miami.

"Morning, Maya," Chloe said, looking up from a tablet. "The client from the Grandview Hotel just signed off on the bronze light fixtures. But we have a problem with the lobby layout."

"What kind of problem?" I asked, dropping my bag on my desk.

"Their structural engineer is an outside contractor," Chloe said, frowning slightly. "Some guy named... well, his firm is Brooks & Associates. Specifically, senior project lead Evan Brooks."

My fingers froze over my keyboard.

"Evan Brooks?" I asked, keeping my voice completely level.

"Yeah. Do you know him?" Chloe asked, squinting at me. "Wait, isn't that your—oh shit. Is that *your* Evan Brooks?"

Before I could answer, the frosted glass door of my private office swung open. Standing in the doorway was Sarah Jenkins, the founding partner of our design firm—a formidable woman with razor-sharp silver hair and a reputation for crushing competitors without raising her voice.

"Maya," Sarah said, stepping into the room and closing the door behind her. Her expression was unreadable. "I need to talk to you in my office. Now."

I stood up, feeling every eye in the studio turn toward us. I followed Sarah into her corner office, which overlooked the bustling Chicago River under a gray, overcast sky. She didn't offer me a seat. She walked straight to her desk, picked up a printed email, and laid it flat on the glass surface.

"I received this an hour ago," Sarah said coldly.

I looked down. It wasn't an email from Evan. It was an official corporate audit inquiry from the parent company of Grandview Hotel, cc'ing our firm's legal counsel. It detailed an internal compliance flag regarding financial irregularities involving subcontracted architectural fees routed through personal accounts managed by Evan Brooks.

"The client is threatening to pull the entire lighting contract," Sarah said, her eyes fixed on mine. "They’re auditing all active sub-contracts associated with Brooks & Associates. They want to know if our firm had any knowledge of financial misconduct on his part."

I took a slow, measured breath. I didn't panic. This was business.

"Sarah," I said, my voice steady and clear. "I had no professional or personal involvement in Evan’s financial accounts. In fact, as of Saturday morning, I am no longer engaged to him. He is currently under investigation by his own building management for unauthorized property access, and as of five minutes ago, I am officially terminating all collaborative projects involving Brooks & Associates."

Sarah stared at me for three long seconds. The silence in the room was absolute. Then, slowly, a faint, approving smile touched the corner of her mouth.

"You broke off the engagement?" she asked.

"On Saturday morning. In my hallway. While his ex-fiancée was standing there with a moving truck."

Sarah let out a short, sharp bark of laughter. She leaned back against her leather chair, crossing her arms.

"Well," she said smoothly. "That certainly solves the conflict of interest problem. As for the Grandview contract, write up an addendum reassigning the structural engineering portion to our secondary engineering partner. Drop Brooks & Associates immediately. Let them deal with their own fallout."

"Consider it done," I said.

"And Maya?" Sarah added as I turned toward the door. "Good riddance. If a man is stupid enough to cross you while you're managing a million-dollar hotel portfolio, he deserves whatever is coming to him."

When I walked back out into the open studio, my phone buzzed again. This time, it wasn't a call. It was a notification from Facebook, tagging me in a public post shared by a mutual acquaintance in the Chicago architectural community—a group with over fifteen thousand local industry professionals.

The caption read: *“Anyone working with Evan Brooks at Brooks & Associates might want to check their corporate compliance policies today. Looks like a messy breakup is blowing the lid off some very interesting financial engineering.”*

Attached to the post was a screenshot of a public court filing from the Cook County Circuit Court—a formal petition for financial injunction and asset freezing filed by my attorney early that morning, listing Evan Brooks as the respondent.

May you like

The drama had officially gone public. And Evan hadn't even seen the worst of it yet.

***

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